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Frankfurter Erklärung der Vielen

Information, 1. Februar 2019 – 1. Februar 2020

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Shireen Seno & John Torres: Artist talk

Vortrag, 16. Dezember 2019, 18:00

Shireen Seno & John Torres: Los Otros

Eröffnung, 18. Dezember 2019, 19:00

Archiv: 2019 NextPrevious

Frida Orupabo: the mouth and the truth

Gespräch, 26. November 2019, 19:00

Stefano Harney: Sovereignty of the Concept

Vortrag, 25. November 2019, 19:00

Cristina Veríssimo: Dwelling in the Public Realm

Vortrag, 14. November 2019, 18:15

Lytle Shaw: Golden Age Smithson

Vortrag, 13. November 2019, 19:00

Nana Oforiatta Ayim: AYAN – New Ways of Seeing

Vortrag, 11. November 2019, 19:00

Bhanu Kapil: UNDEVELOPED WRITING

Vortrag, 6. November 2019, 19:00

Yasmil Raymond: A Collective Work

Vortrag, 5. November 2019, 19:00

Alia Farid: Artist talk

Vortrag, 29. Oktober 2019, 19:00

Wintersemester 2019/2020

Information, 14. Oktober 2019

Frida Orupabo: the mouth and the truth

Eröffnung, 27. September 2019, 19:00

Alia Farid: In Lieu of What Was

Eröffnung, 19. Juli 2019, 19:00

Thom Mayne: Dean’s Honorary Lecture

Veranstaltung, 26. Juni 2019, 19:00

Julia Haller: RAW

Vortrag, 25. Juni 2019, 19:00

Tom McCarthy: Adventures of the Black Box

Vortrag, 24. Juni 2019, 19:00

Städelschule Absolventenparty 2019

Veranstaltung, 19. Juni 2019, 23:00

Air Conditioned. Absolventenausstellung 2019

Eröffnung, 19. Juni 2019, 19:00

Gaylen Gerber

Vortrag, 5. Juni 2019, 19:00

Manuelle Gautrand: Beyond the programme

Vortrag, 4. Juni 2019, 19:00

Michael Osman: Modernism’s Visible Hand

Vortrag, 29. Mai 2019, 19:00

Anna Neimark: A Postconceptual Position

Vortrag, 27. Mai 2019, 19:00

Florian Busch: The other side of the moon

Vortrag, 21. Mai 2019, 19:00

Wolfgang Tschapeller: On Architecture

Vortrag, 9. Mai 2019, 19:00

Sandra Danicke und Kasper König

Vortrag, 7. Mai 2019, 19:00

Symposium: Breaking Glass II – The Virtual Image

Veranstaltung, 4. Mai 2019, 11:00–17:00

Dawn Kasper: The Wolf and The Head on Fire

Eröffnung, 3. Mai 2019, 19:00

Dawn Kasper

Vortrag, 2. Mai 2019, 19:00

Narratives in Boundless Space 

Eröffnung, 1. Mai 2019, 18:00

Elijah Burgher: Artist's Talk

Vortrag, 25. April 2019, 19:00

Heji Shin: Mom

Vortrag, 16. April 2019, 19:00

Götz Stockmann: Erosion of Spatial Border

Vortrag, 11. April 2019, 19:00

Rundgang Party 2019

Veranstaltung, 15. Februar 2019, 22:00

Water Cooler Talks

Veranstaltung, 15. – 16. Februar 2019

Rundgang 2019

Veranstaltung, 15. – 17. Februar 2019

Tala Madani: Oven Light

Eröffnung, 8. Februar 2019, 19:00

Michael Young: Fear of the Mediated Image

Vortrag, 6. Februar 2019, 19:00

Hernan Diaz Alonso: Literal

Vortrag, 23. Januar 2019, 19:00

Carsten Meyer

Vortrag, 17. Januar 2019, 19:00

Johannes Helberger: KLING KLANG KLONG

Vortrag, 16. Januar 2019, 19:00

Tim Griffin: Dispositions

Vortrag, 15. Januar 2019, 19:00

Meindert Hobbema: The Wagon at the top of the Hill, nd.; Robert Smithson: Asphalt Rundown, Rome, 1969Meindert Hobbema: The Wagon at the top of the Hill, nd.; Robert Smithson: Asphalt Rundown, Rome, 1969

Lytle Shaw: Golden Age Smithson

Vortrag13. November 2019, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

In the essay A Sedimentation of the Mind (1968) Robert Smithson proposes that artists move away from then familiar ideas of cool or hot art toward those of dry, or better, wet art. “The wet mind enjoys ‘pools and stains’ of paint. ‘Paint’ itself appears to be a kind of liquefaction. Such wet eyes love to look on melting, dissolving, soaking surfaces.” Smithson’s immediate reference is color field painting, and its dominant reception within models of instantaneous perception that would minimize precisely these materials, durational aspects of this painting’s physical basis in pooled, poured pigment. While many of Smithson’s sculptures can be imagined as cultivations of the slow pooling and soaking that color field paintings evokes but represses, Lytle Shaws lecture will reframe the artist’s one Dutch earthwork – Broken Circle/Spiral Hill (1971) – as a surprisingly systematic engagement with arguably the first wet, liquefaction art: Dutch seventeenth-century landscape painting. Linking Smithson’s and the Dutch painters’ aesthetics of land reclamation, the talk will excavate a soggy path through a little known Golden Age Smithson, locating key precedents for his interest in wet art in the works of Jacob van Ruisdael, Meindert Hobbema, and especially Jan van Goyen, who pooled wet pigment on his panels and gradually pulled recognizable forms out of them, re‐enacting the work of Dutch hydraulic engineers. 

Lytle Shaw is a New York-based writer. A contributing editor for Cabinet magazine and a professor of English at New York University, his books of poetry and prose include Cable Factory 20 (1999), The Lobe (2002), The Moiré Effect (2012), The Mollino Set (forthcoming, 2020), as well as many collaborative books with artists such as Jimbo Blachly, Emilie Clark, and Brad Brown. Lytle Shaw’s critical works on poetry and art history include Frank O’Hara: The Poetics of Coterie (2006), Fieldworks: From Place to Site in Postwar Poetics (2013), Narrowcast: Poetry and Audio Research (2018), and New Grounds for Dutch Landscape (forthcoming, 2020). Shaw has also published essays on artists including Zoe Leonard, Robert Smithson, Gerard Byrne, The Royal Art Lodge, and Paul McCarthy for museums including Reina Sofia, the DIA Center, Whitechapel Gallery, De Hallen, and the Drawing Center.

Der Vortrag findet in englischer Sprache statt.

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