Ongoing

Willem de Rooij "PIERRE VERGER IN SURINAME" at Portikus

Exhibition, 27 March – 18 July 2021

Summer semester 2021

Information, 12 April – 16 July 2021

Lectures Summer Semester 2021

Online Lecture, 20 April – 8 July 2021

Willem de Rooij class: Premiere

Class Project, 7 – 21 May 2021

Upcoming: this month PreviousNext

Ellie Ga: Artist talk

Online Lecture, 18 May 2021, 19:00

David Gianotten: Contextual Engagement

Online Lecture, 20 May 2021, 19:00

Breaking Glass III – Virtual Space

Symposium, 28 – 30 May 2021

Archive: 2021 NextPrevious

Hassan Khan class: AUTONATURA

Class Project, 14 – 16 May 2021

Etta Madete: OCHA-African Avant-Garde

Online Lecture, 11 May 2021, 19:00

Banu Cennetoğlu: neither a mirror nor a hammer

Online Lecture, 6 May 2021, 19:00

Elif Saydam: The House Always Wins

Online Lecture, 20 April 2021, 19:00

Willem de Rooij Class: Raum I7

Class Project, 19 February 2021

Rungdang

Event, 19 – 21 February 2021, 16:00–20:00

STADL: Schtorona

Radio Show, 19 – 21 February 2021, 18:00–19:00

Bani Abidi: Funland

Online Lecture, 16 February 2021, 19:00

Olga Balema

Online Lecture, 4 February 2021, 19:00

Henrike Naumann: Aesthetics of Power

Online Lecture, 28 January 2021, 19:00

The Otolith Group: Infinity Minus Infinity

Online Lecture, 21 January 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Lecture, 19 January 2021, 19:00

Jason Mohaghegh: Dreams of the Last King

Online Lecture, 12 January 2021, 19:00

Haegue Yang, An Opaque Wind, 2015. Installation view from the Sharjah Biennial 12: The past, the present, the possible, Bait Al Aboudi, Sharjah, UAE, 2015. Photo: Deema ShahinHaegue Yang, An Opaque Wind, 2015. Installation view from the Sharjah Biennial 12: The past, the present, the possible, Bait Al Aboudi, Sharjah, UAE, 2015. Photo: Deema Shahin

Haegue Yang: Quasi

Lecture31 May 2016, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

Haegue Yang (1971, Seoul) will talk about her recent exhibitions and projects. She is equally interested in how the formal and conceptual, as well as the narrative language in art, form an irresistible paradox in contemplating and reflecting the conflicts of our time and circumstances. Considering the ever-developing communications technology and its overwhelming possibility, amidst our increasing curiosity on civilization and questions on the status of human beings within it, mute abstraction is nothing but a lingering voice, murmuring an “absence of identity.” 

Exhibitions as of late include Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul (2015), Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing (2015), An Opaque Wind, Sharjah Biennial (2015), Quasi-Pagan Minimal, Greene Naftali, New York (2016), and Quasi-Pagan Serial, Hamburger Kunsthalle, Hamburg (2016). 

More information is available at www.heikejung.de and on vimeo.

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