Ongoing

Posterdesign: Maily Beyrens

Vortragsreihe Sommersemester — Juli 2020

Online Vortrag, 2. – 31. Juli 2020

Sofern nicht anders angegeben, finden die Vorträge um 19 Uhr, online und in englischer Sprache statt. Weitere Informationen zu den einzelnen Vorträgen sowie den Link zur Anmeldung stehen in den jeweiligen Kalendereinträgen.

Demnächst

Hajra Waheed, Untitled (2019), Edition 1/6, Radierung auf Papier, 9 x 12 inches, copyright: die Künstlerin

Hajra Waheed "HUM" im Portikus

Ausstellung, 11. Juli – 6. September 2020

Archiv: 2020 NextPrevious

Hassan Khan: The Keys to the Kingdom

Online Vortrag, 9. Juli 2020, 19:00

Akira Takayama: Richard Wagner meets McDonald's

Online Vortrag, 7. Juli 2020, 19:00

Chris Speed: Co-Designing with Things

Online Vortrag, 2. Juli 2020, 19:00

André Vida: Chiral Rapture; or, the Ambiguities

Online Vortrag, 30. Juni 2020, 19:00

Vortragsreihe Sommersemester — Juni 2020

Online Vortrag, 2. – 30. Juni 2020

Cooking Sections: Cases of Confusion

Online Vortrag, 2. Juni 2020, 19:00

Emilija Škarnulytė: Sunken City

Online Vortrag, 21. Mai 2020, 19:00

Lucy Cotter: Reclaiming Artistic Research

Online Vortrag, 19. Mai 2020, 19:00

Iman Issa: Proxies, with a Life of Their Own

Online Vortrag, 5. Mai 2020, 19:00

Ulrika Karlsson: Interiors after Images

Vortrag, 20. Februar 2020, 19:00

Rundgang 2020

Veranstaltung, 14. – 16. Februar 2020

Rundgang Party 2020

Veranstaltung, 14. Februar 2020, 23:00

Water Cooler Talks

Veranstaltung, 14. – 16. Februar 2020

Melissa Gordon: The Embarrassment of SUCKCESS

Vortrag, 5. Februar 2020, 19:00

Aneta Rostkowska

Vortrag, 29. Januar 2020, 19:00

David Brüll: Bottom-Up Coded Cultures

Vortrag, 27. Januar 2020, 19:00

Oliver Tessmann: Material-Digital

Vortrag, 23. Januar 2020, 19:00

Courtesy of Lia ClayCourtesy of Lia Clay

Gordon Hall: THROUGH AND THROUGH AND THROUGH

Vortrag18. Juni 2019, 19:00I7, Städelschule, Dürerstrasse 10, 60596 Frankfurt am Main

Gordon Hall will present a lecture about their just-opened exhibition at Portland Institute for Contemporary Art, consisting of eighteen new sculptures made from cast concrete, poplar, colored pencil, hand-dyed fabric, and carved brick. These objects feel familiar yet strange, made up of the edges of recognizable things—benches, shims, a basin, turned table legs, a saddle, tools. They ask to be used, but are not clear about how or by whom. Through this potentiality, they are rendered anew, and slightly perverted. We watch the sculptures as they watch us. Together, our usefulness is called into question. Those who spend time with this family of things are interlocutors engaged in the question, “What does it mean to be witnessed?”

Gordon Hall's sculptures and performances have been exhibited at SculptureCenter, The Renaissance Society, Brooklyn Museum, Museum of Contemporary Art Chicago, Whitney Museum of American Art, Movement Research, EMPAC, Art in General, Temple Contemporary, Hessel Museum at Bard College, White Columns, Wysing Arts Centre, Abrons Arts Center, Socrates Sculpture Park, and The Drawing Center, among others. Hall has had institutional solo shows at MIT List Visual Arts Center (Boston, MA, 2018) and Portland Institute for Contemporary Art (Portland, OR, 2019), who also released an edited volume of Hall's writing, OVER-BELIEFS: Gordon Hall Collected Writing, 2011-2018. Gordon Hall holds an MFA and an MA in Visual and Critical Studies from the School of the Art Institute of Chicago and a BA from Hampshire College. 

Der Vortrag findet in englischer Sprache statt. 

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