Ongoing

Guidelines on General Equality

Information, 9 November 2020 – 9 November 2030

Willem de Rooij "PIERRE VERGER IN SURINAME" at Portikus

Exhibition, 27 March – 18 July 2021

Summer semester 2021

Information, 12 April – 16 July 2021

Lectures Summer Semester 2021

Online Lecture, 20 April – 8 July 2021

Willem de Rooij class: Premiere

Class Project, 7 – 21 May 2021

Upcoming

Etta Madete: OCHA-African Avant-Garde

Online Lecture, 11 May 2021, 19:00

Hassan Khan class: AUTONATURA

Class Project, 14 – 16 May 2021

Breaking Glass III – Virtual Space

Symposium, 28 – 30 May 2021

Archive: 2021 NextPrevious

Banu Cennetoğlu: neither a mirror nor a hammer

Online Lecture, 6 May 2021, 19:00

POSTPONED—Daniel Lie: Rotten Energy

Online Lecture, 29 April 2021, 19:00

Elif Saydam: The House Always Wins

Online Lecture, 20 April 2021, 19:00

Willem de Rooij Class: Raum I7

Class Project, 19 February 2021

Rungdang

Event, 19 – 21 February 2021, 16:00–20:00

STADL: Schtorona

Radio Show, 19 – 21 February 2021, 18:00–19:00

Bani Abidi: Funland

Online Lecture, 16 February 2021, 19:00

Olga Balema

Online Lecture, 4 February 2021, 19:00

Henrike Naumann: Aesthetics of Power

Online Lecture, 28 January 2021, 19:00

The Otolith Group: Infinity Minus Infinity

Online Lecture, 21 January 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Lecture, 19 January 2021, 19:00

Jason Mohaghegh: Dreams of the Last King

Online Lecture, 12 January 2021, 19:00

Installation view: Gaylen Gerber, The Arts Club of Chicago, 2018. © the artist and Paul LevackInstallation view: Gaylen Gerber, The Arts Club of Chicago, 2018. © the artist and Paul Levack

Gaylen Gerber

Lecture5 June 2019, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

Gaylen Gerber (American b. 1955) creates expressive, often revealing, artworks and situations that incorporate the work of other makers, sometimes by foregrounding them and other times by seemingly obscuring them. Gerber’s signature Backdrops, which precede his current Supports and invert their logic, are typically canvases that mimic the color and size of full-scale exhibition walls, upon which he affixes the work of other artists. Gerber’s practice has for decades been characterized by fusing his own work with that of another, making them inseparable but equally present. This match among authors remains palpable in both the Backdrops and Supports, where the viewer confronts forms that carry immediate as well as existing meanings simultaneously. Gerber’s intention is to keep this recounting in tension by constantly renewing the relation between what is presented and how it is presented. Gerber will discuss recent projects including his current participation in the osloBIENNALEN First Edition, where he presents a selection of works in the historical Myntgata quarter of Oslo as well as Edvard Munch’s studio, Ekely.

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