Ongoing

Willem de Rooij "PIERRE VERGER IN SURINAME" at Portikus

Exhibition, 27 March – 18 July 2021

Summer semester 2021

Information, 12 April – 16 July 2021

Lectures Summer Semester 2021

Online Lecture, 20 April – 8 July 2021

Willem de Rooij class: Premiere

Class Project, 7 – 21 May 2021

Upcoming: this month PreviousNext

Ellie Ga: Artist talk

Online Lecture, 18 May 2021, 19:00

David Gianotten: Contextual Engagement

Online Lecture, 20 May 2021, 19:00

Breaking Glass III – Virtual Space

Symposium, 28 – 30 May 2021

Archive: 2021 NextPrevious

Hassan Khan class: AUTONATURA

Class Project, 14 – 16 May 2021

Etta Madete: OCHA-African Avant-Garde

Online Lecture, 11 May 2021, 19:00

Banu Cennetoğlu: neither a mirror nor a hammer

Online Lecture, 6 May 2021, 19:00

Elif Saydam: The House Always Wins

Online Lecture, 20 April 2021, 19:00

STADL: Schtorona

Radio Show, 19 – 21 February 2021, 18:00–19:00

Willem de Rooij Class: Raum I7

Class Project, 19 February 2021

Rungdang

Event, 19 – 21 February 2021, 16:00–20:00

Bani Abidi: Funland

Online Lecture, 16 February 2021, 19:00

Olga Balema

Online Lecture, 4 February 2021, 19:00

Henrike Naumann: Aesthetics of Power

Online Lecture, 28 January 2021, 19:00

The Otolith Group: Infinity Minus Infinity

Online Lecture, 21 January 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Lecture, 19 January 2021, 19:00

Jason Mohaghegh: Dreams of the Last King

Online Lecture, 12 January 2021, 19:00

Eric Baudelaire

Lecture29 January 2018, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

Lecture
Eric Baudelaire: After
Monday, January 28 2018, 7 pm, Aula 

On the occasion of his visit to Städelschule, French artist Eric Baudelaire will screen his new film Also Known As Jihadi and will discuss his recent exhibition at the Centre Pompidou in Paris, which was conceived around the film. The screening is on Sunday, Jan 28, 8 pm in the Lichthalle and the lecture is on Monday, Jan 29, 7pm. About the exhibition, Eric Baudelaire has written this: ‚Après [after] is a project about the present time. A time experienced as a constant entanglement of afters: after the event, after the disaster, after the upheaval of certainties. An entanglement that conditions our thoughts, a time that is dominated by the imperatives of urgency. After the attacks of 13 November 2015 in Paris and Saint-Denis, I felt it was urgent to find a form to reflect on what was occurring. The French prime minister had stated, “there can be no meaningful explanation. To explain is akin to wanting to find excuses.” The philosopher Alain Badiou replied, that “the declaration of the unthinkable is always a defeat of thought, and the defeat of thought is always a victory, precisely, of irrational and criminal behaviour”. The exhibition Après was organised around an incomplete, arbitrary and intuitive list of words and corresponding letters: A for Architecture, C for Commemoration, H for Hypnosis, R for Reckoning, T for running out of Time... Twelve words that guided my discussions with Marcella Lista, curator of the exhibition, as we selected works, drew up invitations, and drafted texts. Twelve days to reflect on the relationship between art and actuality, between images and events.‘

Eric Baudelaire (*1973, FR/US) is a visual artist and filmmaker. His feature films Also Known As Jihadi (2017), Letters to Max (2014), The Ugly One (2013) and The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images (2011) were shown at the FIDMarseille, Locarno, Toronto, New York and Rotterdam film festivals. His research-based practice also unfolds as installations incorporating photography, printmaking, performance, publications and screenings. Recent solo exhibitions include the Centre Pompidou, Paris, the Witte de With in Rotterdam, the Fridericianum in Kassel, Berkeley Art Museum, Kadist Art Foundation in San Francisco, Bétonsalon in Paris, the Bergen Kunsthall, the Beirut Art Center, Gasworks in London, and the Hammer Museum in Los Angeles. His films and installations are in the collections of the Reina Sofia Museum in Madrid, the MACBA in Barcelona, the Centre Pompidou in Paris, the Museum of Modern Art and the Whitney Museum of American Art in New York.

This website uses cookies. By using our website, you agree to our use of cookies.
Imprint and Legal Information