MOVING PLANTS im Palmengarten

Ausstellung, 2. September – 18. Oktober 2020

L’Esprit – Absolventenausstellung 2020

Ausstellung, 19. September – 18. Oktober 2020

Archiv: 2020 NextPrevious

Room For Improvisation #2

Veranstaltung, 23. September 2020, 18:00–19:30

Hajra Waheed "HUM" im Portikus

Ausstellung, 11. Juli – 6. September 2020

Hassan Khan: The Keys to the Kingdom

Online Vortrag, 9. Juli 2020, 19:00

Akira Takayama: Richard Wagner meets McDonald's

Online Vortrag, 7. Juli 2020, 19:00

Chris Speed: Co-Designing with Things

Online Vortrag, 2. Juli 2020, 19:00

Vortragsreihe Sommersemester — Juli 2020

Online Vortrag, 2. – 31. Juli 2020

André Vida: Chiral Rapture; or, the Ambiguities

Online Vortrag, 30. Juni 2020, 19:00

Cooking Sections: Cases of Confusion

Online Vortrag, 2. Juni 2020, 19:00

Vortragsreihe Sommersemester — Juni 2020

Online Vortrag, 2. – 30. Juni 2020

Emilija Škarnulytė: Sunken City

Online Vortrag, 21. Mai 2020, 19:00

Lucy Cotter: Reclaiming Artistic Research

Online Vortrag, 19. Mai 2020, 19:00

Iman Issa: Proxies, with a Life of Their Own

Online Vortrag, 5. Mai 2020, 19:00

Ulrika Karlsson: Interiors after Images

Vortrag, 20. Februar 2020, 19:00

Rundgang 2020

Veranstaltung, 14. – 16. Februar 2020

Water Cooler Talks

Veranstaltung, 14. – 16. Februar 2020

Rundgang Party 2020

Veranstaltung, 14. Februar 2020, 23:00

Melissa Gordon: The Embarrassment of SUCKCESS

Vortrag, 5. Februar 2020, 19:00

Aneta Rostkowska

Vortrag, 29. Januar 2020, 19:00

David Brüll: Bottom-Up Coded Cultures

Vortrag, 27. Januar 2020, 19:00

Oliver Tessmann: Material-Digital

Vortrag, 23. Januar 2020, 19:00

Poster Tamar ChaduneliPoster Tamar Chaduneli

Tom McCarthy: Adventures of the Black Box

Vortrag24. Juni 2019, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

"7.13 Talking of visions: as time went on, my mental picture of the Project, my baroque casting, or elaboration, of it, changed. Out went the towers and palaces—or rather, better to say they flattened, their balconies and arches, corbels, cornices and spires and all such wedding-cakery steamrollered down into a uniform consistency. What these second-generation reveries gave me in their place, compressed and smooth, was a black box. It might have still been standing in the desert; or perhaps up on a plateau, a raised plain—above a city maybe, like the Parthenon, or maybe situated (for strategic reasons) far from any settlement, but nonetheless connected to a city, or a set of cities, over which it exerted influence. Then again, sometimes this black box in which the Project had become embodied seemed to be lying on the shelf of some administrative building. More accurate, perhaps, to describe it as resting on a plane, rather than plain: one geometric shape that sat atop another. As to its size: this, too, was far from clear. It was hard, in these visions, to maintain a sense of scale. Sometimes it seemed enormous, like an emperor’s mausoleum; at others it appeared no larger than a trunk, or coffin; at others still, the size of a child’s toy- or music-box. The only constant or unchanging aspect of it was that it was black: black and inscrutable, opaque".

Paragraph from Satin Island (2015), Tom McCarthy

Tom McCarthy (*1969) is a novelist whose work has been translated into more than twenty languages. He teaches as guest professor at the Städelschule in the summer semester 2019. He is currently a fellow of the DAAD Artists-in-Berlin programme.

Der Vortrag findet in englischer Sprache statt. 

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