Archiv: 2021 NextPrevious

Lydia Ourahmane im Gespräch mit Christina Lehnert

Online Vortrag, 6. Juli 2021, 19:00

Daniel Lie: Rotten Energy

Online Vortrag, 24. Juni 2021, 19:00

Eyal Weizman: Cloud Studies

Online Vortrag, 1. Juni 2021, 19:00

Breaking Glass III – Virtual Space

Symposium, 28. – 30. Mai 2021

David Gianotten: Contextual Engagement

Online Vortrag, 20. Mai 2021, 19:00

Ellie Ga: Artist talk

Online Vortrag, 18. Mai 2021, 19:00

Hassan Khan Klasse: AUTONATURA

Class Project, 14. – 16. Mai 2021

Etta Madete: OCHA-African Avant-Garde

Online Vortrag, 11. Mai 2021, 19:00

Willem de Rooij Klasse: Premiere

Class Project, 7. – 21. Mai 2021

Banu Cennetoğlu: neither a mirror nor a hammer

Online Vortrag, 6. Mai 2021, 19:00

Elif Saydam: The House Always Wins

Online Vortrag, 20. April 2021, 19:00

Vortragsreihe Sommersemester 2021

Online Vortrag, 20. April – 8. Juli 2021

Sommersemester 2021

Information, 12. April – 16. Juli 2021

Willem de Rooij "PIERRE VERGER IN SURINAME" im Portikus

Ausstellung, 27. März – 18. Juli 2021

STADL: Schtorona

Radio Show, 19. – 21. Februar 2021, 18:00–19:00

Klasse Willem de Rooij: Raum I7

Class Project, 19. Februar 2021

Rungdang

Veranstaltung, 19. – 21. Februar 2021, 16:00–20:00

Bani Abidi: Funland

Online Vortrag, 16. Februar 2021, 19:00

Olga Balema

Online Vortrag, 4. Februar 2021, 19:00

Henrike Naumann: Aesthetics of Power

Online Vortrag, 28. Januar 2021, 19:00

The Otolith Group: Infinity Minus Infinity

Online Vortrag, 21. Januar 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Vortrag, 19. Januar 2021, 19:00

Jason Mohaghegh: Dreams of the Last King

Online Vortrag, 12. Januar 2021, 19:00

Saddie Choua, Lamb Chops Should Not Be Overcooked, 2019, Contour Biennale 9, photo: Lavinia WoutersSaddie Choua, Lamb Chops Should Not Be Overcooked, 2019, Contour Biennale 9, photo: Lavinia Wouters

Nataša Petrešin-Bachelez: Caretaking and/or curating. An example of an attempt to take care of a biennial's ecology

Vortrag10. Dezember 2019, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

Nataša Petrešin-Bachelez is an independent curator, editor and writer. Among the projects and exhibitions she curated are Show me the archive and I will tell you who is in power at Kiosk (2017, with Wim Waelput, Ghent), Let’s Talk about the Weather at the Sursock Museum (2016, with Nora Razian and Ashkan Sepahvand, Beirut), Resilience. Triennial of Contemporary Art in Slovenia (2013, Ljubljana), transmediale.08 at HKW (2008, Berlin). She was co-director of Les Laboratoires d’Aubervilliers (2010–12) and co-founder of the network Cluster. She is chief editor of L’Internationale Online, and was chief editor of the Manifesta Journal (2012-14).

Taking the case study of the Contour Biennale 9: Coltan as Cotton, Nataša Petrešin-Bachelez will observe the decolonial approach towards caretaking and question how to take care of a biennial's ecology that it produces, and how to undo its prevailing function related to an unsustainable cultural tourism.
Contour Biennale 9 was designed in phases: a continuum of projects in various formats, in contrast to earlier editions when the biennial ran for ten weeks. Between September 2018 and October 2019, three phases shaped it. These phases were aligned with the phases of the lunar cycle, one of our most natural rhythms, which induces a cyclical conception of time. Projects developed over a course of a year and explored entanglements between the decolonization of structures, mind and history in Belgium and the Neatherlands, and the need for practices of degrowth, care and solidarity to be intertwined more profoundly with contemporary artistic practices. The stretched duration of the biennial enabled a slowed down research phase and a more situated way of working within the social fabric of the city of Mechelen and around it.

Der Vortrag findet in englischer Sprache statt.

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