Ongoing

Pope L. "Misconceptions" im Portikus

Ausstellung, 8. September – 21. November 2021

Hygienekonzept der Städelschule

Information, 6. Oktober 2021 – 20. Februar 2022

Demnächst: diesen Monat PreviousNext

Wintersemester 2021/22

Information, 18. Oktober 2021 – 20. Februar 2022

Jahrgangsprojekt von Curatorial Studies: facets, faces

Ausstellung, 22. – 31. Oktober 2021

Touch Release—eine Ausstellung von Haegue Yangs Klasse

Class Project, 29. Oktober – 19. Dezember 2021

Archiv: 2021 NextPrevious

Abschlusspräsentationen Architekturklasse

Veranstaltung, 9. – 10. September 2021, 17:00–21:30

THE WHISTLE—Absolventenausstellung 2021

Ausstellung, 3. – 19. September 2021

Lydia Ourahmane im Gespräch mit Christina Lehnert

Online Vortrag, 6. Juli 2021, 19:00

Daniel Lie: Rotten Energy

Online Vortrag, 24. Juni 2021, 19:00

Eyal Weizman: Cloud Studies

Online Vortrag, 1. Juni 2021, 19:00

Breaking Glass III – Virtual Space

Symposium, 28. – 30. Mai 2021

David Gianotten: Contextual Engagement

Online Vortrag, 20. Mai 2021, 19:00

Ellie Ga: Artist talk

Online Vortrag, 18. Mai 2021, 19:00

Hassan Khan Klasse: AUTONATURA

Class Project, 14. – 16. Mai 2021

Etta Madete: OCHA-African Avant-Garde

Online Vortrag, 11. Mai 2021, 19:00

Willem de Rooij Klasse: Premiere

Class Project, 7. – 21. Mai 2021

Banu Cennetoğlu: neither a mirror nor a hammer

Online Vortrag, 6. Mai 2021, 19:00

Elif Saydam: The House Always Wins

Online Vortrag, 20. April 2021, 19:00

Vortragsreihe Sommersemester 2021

Online Vortrag, 20. April – 8. Juli 2021

Sommersemester 2021

Information, 12. April – 16. Juli 2021

Willem de Rooij "PIERRE VERGER IN SURINAME" im Portikus

Ausstellung, 27. März – 18. Juli 2021

STADL: Schtorona

Radio Show, 19. – 21. Februar 2021, 18:00–19:00

Klasse Willem de Rooij: Raum I7

Class Project, 19. Februar 2021

Rungdang

Veranstaltung, 19. – 21. Februar 2021, 16:00–20:00

Bani Abidi: Funland

Online Vortrag, 16. Februar 2021, 19:00

Olga Balema

Online Vortrag, 4. Februar 2021, 19:00

Henrike Naumann: Aesthetics of Power

Online Vortrag, 28. Januar 2021, 19:00

The Otolith Group: Infinity Minus Infinity

Online Vortrag, 21. Januar 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Vortrag, 19. Januar 2021, 19:00

Jason Mohaghegh: Dreams of the Last King

Online Vortrag, 12. Januar 2021, 19:00

André Vida, Foto: Erin McKinneyAndré Vida, Foto: Erin McKinney

André Vida: Chiral Rapture; or, the Ambiguities

Online Vortrag30. Juni 2020, 19:00

During this lockdown period, André Vida has been making what he calls 'remixes' by selecting songs from the various media of hip hop, experimental rock, trashy pop, grindcore, and then imposing his compositional visions onto these formats. This activity codifies a shift in mentality that has been ongoing in his mind for years, experiencing media apart from the original artistic intentions of the author and rather using it to elevate the 'me'––the consumer, the experiencer as the final arbiter of aesthetic decision making. The moods, attitudes, and structures of the material he chooses are enthralling, sometimes entrancing, but it never needs to seduce him. It all possesses something visceral and by reliving it in headphones and through his sax, he finds himself engaged in a similar frenzied state to the political ranters proliferating through the online ether. It is a glorious form of disembodiment that grooves itself deeper into this lockdown.

André Vida is a Hungarian-American saxophonist, composer, and lyricist living in Berlin. He has created performance pieces focused on the medium and materiality of scoring including explorations of interactivity, animation, lighting, and clothing design as elements of a compositional system drawing from and amplifying the physical gestures and energies of performance. André Vida has performed widely as a soloist and has also collaborated with a diverse group of artists including Tarek Atoui, Rashad Becker, Kevin Blechdom, Anthony Braxton, Hildur Gudnadottir, Jamie Lidell, and Hassan Khan. He has worked closely with Anri Sala on performances at the Serpentine Gallery in London, the Roman Amphitheatre in Arles (produced by the LUMA foundation), Frieze London and the Havanna Biennale. He has been commissioned by Hyper! at The Deichtorhallen in Hamburg, the Tri-Centric Foundation, Global Art Forum 7 and 10, the 8th Berlin Biennale, Eyebeam, and the European Sax Ensemble. A three-volume set of his work from 1995–2011 was released on PAN, his piece for 41 saxophones, Minor Differences, was released on Entr’acte, and he has been featured in The Wire, Tank, Monopol, and Electronic Beats.

Der Vortrag findet in englischer Sprache statt.

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